Ambi |
A mango-shaped motif - the paisley pattern (lit. 'rich') |
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Amli |
Needle work embroidery native to Kashmir |
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Angarkha |
A long-sleeved, full-skirted tunic for men, generally open at the chest and tied in front with an inner flap |
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Ari |
Awl-like hooked needle, often used for chain stitch embroidery |
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Badam |
A textile term for oval-shaped motifs |
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Badla |
Flattened gold or silver wire |
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Badla Mukaish |
Knots of badla sewn onto cloth |
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Baluchar |
A type of brocaded silk sari |
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Bandgala |
Achkan and shervani (lit. 'closed neck') |
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Bandhini |
The mode of tie-dyeing fabrics to form patterns (also known as Bandhej) |
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Bandi |
A short jacket or waistcoat |
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Batik |
A paste or wax resist dyeing technique |
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Bel |
A stylized creeper pattern |
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Buti |
A smaller version of a buta the term is used also to denote stylized animal motifs printed in block repeats |
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Calico |
A term used by early European traders |
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Cheent |
Spotted |
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Chikankari |
White embroidery, predominantly floral patterns, executed on fine white cotton with untwisted
threads of white cotton or silk |
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Chiru |
Himalayan antelope |
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Choli |
A woman's blouse or bodice usually tight-fitting |
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Chunari |
A tie-dyed dotted pattern, a veil |
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Chunnat |
Pleated or crimped gota ribbon |
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Churidar paijama |
Style of tight-fitting paijama, rouched from the knee to the ankles (lit. the paijama with bangles) |
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Dhoti |
An unstitched garment used to drape the lower body, very much in use today |
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Dori |
A cord |
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Dupatta |
An unstitched length of material for the upper body traditionally worn by both sexes,
but now mainly worn by women as part of a salwar kameez (paijama and tunic) ensemble |
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Farshi |
A wide legged trailing paijama |
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Ganga Jamuna |
The juxtaposition of silver and gold in a woven pattern, named after the confluence of dark and light waters of the two sacred rivers |
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Ghaghra |
A gathered skirt usually very flared |
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Ghera |
Circumference, fullness of a garment |
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Gheru |
Saffron, ochre |
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Ghundi |
A button made of silk or cotton, sometimes covered with gold or silver wire, held together with a loop |
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Gota |
A metallic ribbon in which badla forms the weft and silk or cotton the wrap |
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Gota Moti |
A beaded cord covered with gota, often used for finishing ghaghra and jama hems |
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Gota Patti |
Small leaf shapes made of gota |
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Gote |
The bottom part of a farshi paijama which is made up of three sections, often richly embellished |
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Holi |
A lively and colorful festival celebrated on the last day of the month of Phalgun to
welcome the onset of spring |
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Ikkat |
The name of the pattern created by the tie-dyeing the weft and wrap threads before weaving which is a specially of Gujarat Orissa and Andhra Pradesh |
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Izarband |
The decorative drawstring at the waist of a lower garment, usually a ghaghra or a paijama
with ornamented tasselled ends |
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Jaal |
An all over pattern in a printed or embroidered fabric |
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Jala |
A small wooden frame used by master craftsmen, on which threads are tied to form a grid
of the wrap and weft outling the design of the weave |
Jamakhana |
The storehouse for garments in the Mughal and other royal courts |
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Jamavar |
The trade name for the woven or embroidered Kashmir shawls |
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Jamdaani |
A weaving technique traditional to the town of Tanda, Jais and Dacca used to produce figured muslins |
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Jhoomar |
A jewelled hair ornament worn on the side of the head |
Jhumka |
A bell-shaped piece of jewellery |
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Jutis |
Slip on shoes, usually elaborated embroidery and with unturned toes |
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Kalamkari |
Painted cloth (as a trade term it referred to both painted and printed cloths) |